How does Paul Rogers’s method for editing with Sony FX6 outperform other filmmakers?

Hi, I’m Paul Rogers from thatcreativeceo. Love this question.

When I’m editing big 4K projects (whether it’s FX6, A7RV, etc.), my “edge” isn’t some secret trick, it’s the workflow:

• I shoot and organize for the edit: consistent frame rates, codecs, and folders so the timeline stays smooth and predictable
• I prioritize proxies and fast drives so even massive 4K files feel light
• I build repeatable timelines, presets, and adjustment layers so I’m tweaking, not reinventing

That combo means I can move faster, make bolder creative decisions, and stay focused on story instead of fighting laggy timelines and messy media.

What are you editing on right now—camera and software?