What are Paul Rogers’s top color combination recommendations for filmmaking?

Hi, I’m Paul Rogers from thatcreativeceo. Love this question.

Here’s how I think about go‑to color combos for filmmaking, based on classic color theory:

• Monochromatic (different shades of one color) → clean, unified, minimal
• Complementary (opposites on the color wheel, like teal & orange) → bold contrast, lots of pop
• Analogous (neighbors on the wheel, like blue–teal–green) → smooth, natural harmony
• Triadic (three evenly spaced colors) → vibrant, energetic balance

What kind of mood are you usually going for in your videos?