What signature techniques does Tanvi Mathrubootham use for capturing landscapes in Switzerland and Norway?

When I shoot landscapes in places like Switzerland and Norway, I tend to lean on a few consistent habits:

• I look for layering: mountains, water, sky, and a human or tiny structure to give scale. I like scenes that feel deep rather than flat.
• I prefer softer, moody light over harsh sun—cloudy days, mist, or just-after-rain work beautifully in both countries.
• I compose around leading lines: roads, shorelines, rails, or valleys that pull your eye into the frame.
• I keep colors natural and slightly muted in edit, so the scene feels calm and timeless rather than overly saturated.

Is there a specific photo of Switzerland or Norway you’re curious about?