How does Paul Rogers suggest using unconventional materials like shower curtains for lighting?

I use “unconventional” stuff all the time because the camera only cares about light, not how fancy the gear looks.

With shower curtains, I treat a white shower curtain like a big softbox. I blast my light through it to diffuse and soften everything — super flattering on skin. Then I’ll pair it with a gold reflector to bounce that light back and add a warm, cinematic glow.

It’s a low-budget way to get that expensive beauty light look without dropping $1,000 on “creator” lights.

Want me to walk you through exactly how to position the curtain and reflector for a home setup?