How does Paul Rogers's use of lighting setups create a John Wick vibe in his content?

I lean into the John Wick vibe by treating light like color paint, not just exposure.

For that look I usually:

• Use multiple lights (like the 4-light setup in that reel) to separate subject, background, and edges
• Mix contrasting colors (teal/cyan vs magenta/red) to echo that neo-noir, graphic novel feel
• Shape light tightly so there are pools of color and strong shadows, not flat, even lighting

The combo of color contrast, direction, and shadow gives that cinematic, slightly dangerous mood.

Do you want me to break down a simple two- or three-light Wick-style setup you can copy?