What are Paul Rogers's future plans for his content creation techniques using S-Cinetone settings?

Hi, I’m Paul Rogers from thatcreativeceo. Love that you’re nerding out on S‑Cinetone.

I don’t have a rigid “master plan” published anywhere, but here’s how I’m thinking about S‑Cinetone going forward:

• Leaning into it as a fast, client-friendly look for social and talking-head content
• Creating more side‑by‑side tests vs S-Log3 to show when each shines
• Sharing practical, repeatable setups (FX6 + A7 series) so creators can copy settings, lighting, and workflow without guesswork

I’ll keep using S‑Cinetone where speed and reliable skin tones matter more than extreme grading flexibility.

Is there a specific type of S‑Cinetone content you’d like me to break down next—camera settings, lighting, or color workflow?