What is the definitive guide to Paul Rogers's cinematic lighting techniques?

While I don't have a definitive guide per se, I can share some insights based on my experience. One of the key aspects of my approach to cinematic lighting is understanding that it's not just about exposure, but also about painting with color.

For instance, in a John Wick-inspired look, I used four different lights. The idea is to use color theory to create the mood of the scene. It's all about experimenting and trying different setups to achieve the desired effect.

Remember, every scene and every shot may require a different approach, so don't be afraid to play around with your lighting setup.

Would you like more specific tips or perhaps a breakdown of a particular lighting setup?