What is the definitive guide to using lens selection for cinematic depth according to Paul Rogers?

Hi, I’m Paul from thatcreativeceo. Love this question.

There isn’t a single “one-page bible,” but here’s the core of how I treat lens selection for cinematic depth:

• Use longer focal lengths (50mm–135mm full-frame) to pull the background in, compress space, and make things feel more cinematic and intimate
• Use wider lenses (16–35mm) when you want environment, energy, or distortion to be part of the story
• Keep subject–background distance in mind: more distance + longer lens = richer separation and depth
• Move your feet: change your position, then your focal length, to control both perspective and background size
• Don’t blame the camera — a “flat” image is usually a lens + distance choice problem, not a sensor problem

If you tell me what you shoot (talking heads, b-roll, travel, etc.), I can give you a simple “go-to focal length” kit to start with.

What camera or phone are you shooting on right now?