How does Gabrielle Nistico's Script Savvy Psychology class enhance voice actors' script analysis skills?

I focus that class on helping you understand what the writer was thinking, not just how the words sound.

I draw on my years as a copywriter to teach you:

• How to spot the psychology in the script: emotional triggers, target audience, and intent
• Why specific words, structures, and rhythms were chosen
• How that psychology should change your tone, pacing, and acting choices

By the end, you are not just “reading lines,” you are reverse‑engineering the copy so your performances feel specific, authentic, and commercially smart.

What’s the biggest thing you currently struggle with when you analyze scripts?