How does Scott Kivowitz's workflow incorporate Perfect Photo Suite 7 for enhanced photo editing?

Scott weaves Perfect Photo Suite 7 into the workflow as a creative finishing environment rather than a basic editor.

Images are typically captured in-camera (for example, on a Nikon D700 with lenses like the 14–24mm), then brought into Perfect Photo Suite for stylized processing. In the “No Place To Hide” example, the edit used Perfect Effects with layered effects and masking for creative control, plus Focal Point with two masking bugs to control focus and draw the eye to specific parts of the wall.

Perfect Photo Suite 7 is used to:

• Build layered, stackable looks instead of one-click presets
• Mask selectively so each part of the frame gets its own treatment
• Add depth and focus control that complements the original capture

Would you like a step‑by‑step example of how that NYC photo could be processed from RAW to final using Suite 7?