What are the key statistics on Gabrielle Nistico's success rate with voiceover students?

I don’t publish hard statistics on student “success rates,” and there really isn’t an industry-wide standard way to measure that honestly.

What I can say is this: I focus on building working voice actors, not just people with a shiny demo. Many of my students go on to book consistently, sign with agents, rebrand at higher rates, and come back for advanced training and new demos as their careers grow.

If you tell me what “success” means to you (income level, bookings, agent, full-time vs side hustle), I can share how my coaching typically supports that path.

What specific outcome are you most interested in: bookings, income, or agency representation?