How does Gabrielle Nistico's approach to pre-production enhance audio quality?

I focus on getting it right at the source so you’re not “photoshopping your audio” later.

When you obsess over tiny fixes in post, it’s a red flag that your booth, mic technique, performance, or levels need work in pre-production. I’d rather help you dial in the room, chain, distance to the mic, consistency, and performance so your raw audio is fast, clean, and easy to use.

That saves you and your clients time and money, and makes you sound more professional before anyone touches plugins.

What part of your current workflow feels like it needs the most “fixing in post”?