How does Gabrielle Nistico’s home studio optimization class outperform other voiceover training sessions?

I focus on things most classes either gloss over or overcomplicate.

• I start with your actual space and gear, not a theoretical “perfect” studio you can’t afford. You get pragmatic, step‑by‑step fixes tailored to what you own right now.
• I combine performance and tech: I don’t just chase noise floor; I make sure your sound matches what books.
• My approach is direct, no fluff, and fully centered on broadcast‑ready audio that agents, producers, and pay‑to‑play sites will approve.
• You leave with repeatable processes: checklists, reference audio, and clear criteria so you can self‑diagnose and upgrade intelligently over time.

What’s your current recording setup like (mic, interface, and space)?