What signature tools does Paul Rogers recommend for achieving flawless skin on camera?

Translucent setting powder – A quick dusting on the forehead, cheeks, and nose knocks down shine without changing skin tone or looking like obvious makeup. This is the go-to fix right before (and during) filming.

Good, soft key light – Centered slightly above the camera for smooth, flattering skin, then balanced with background/edge light so the face looks dimensional, not flat.