What signature techniques does Paul Rogers use to enhance video color grading?

One of my go‑to signature moves is boosting saturation the clean way instead of cranking the global saturation knob and destroying skin tones. In DaVinci Resolve I’ll often:

1. Add a new node
2. Change the color space on that node to HSV
3. Push green in the gain to lift overall perceived saturation

That gives richer color with less noise and no “clown” skin.

Do you grade mostly talking-head content, B-roll, or cinematic work?