What signature techniques does Gabrielle Nistico recommend for avoiding poor audio quality?

I focus on two big areas: recording technique and minimal processing.

For recording, I’m big on:

1. Proper mic placement and talking off-axis to reduce plosives (P-pops)
2. Using a pop filter correctly
3. Moving closer for intimacy, backing off for shouty or “big” reads so you don’t distort
4. Making sure your space is treated so you’re not fighting room noise

On the processing side, I warn against “Photoshopping” your sound with heavy EQ and compression. Producers usually want audio flat. Light normalization and, if needed, a gentle high‑pass filter are fine, but anything that obviously changes your tone can hurt you.

What does your current recording chain and space look like?