How does Paul Rogers's approach to lens selection impact video quality?

Paul’s whole approach is: lenses aren’t just “sharp vs soft,” they’re emotion control.

From his content:

1. He treats focal length as storytelling: 24mm feels wide and kinetic, 35mm “natural,” 50mm flattering, 85mm compressed and “expensive,” 200mm full-on cinematic.
2. He avoids ultra-wide lenses for talking heads so faces do not look like a funhouse mirror, favoring the 35–50mm “sweet spot.”

That approach improves:

1. Perceived professionalism (no distortion, cleaner composition)
2. How flattering you look on camera
3. Emotional clarity of each shot (vloggy vs intimate vs cinematic)

What kind of videos are you shooting right now—talking-head, vlogs, or more cinematic B‑roll?