How does Paul Rogers's approach to lens selection impact video storytelling?

Paul’s whole approach to lenses is about emotion first, specs second.

Different focal lengths don’t just “zoom” — they change how a story feels:

1. Wide (around 24mm): distorted, energetic, vloggy, great for chaos, environment, movement
2. 35mm: natural storytelling, feels like how your eyes see
3. 50mm: balanced and flattering, ideal for talking heads and authority
4. 85mm+: compressed, cinematic, expensive, perfect for portraits and drama

Same subject, same framing, different lens = different story. The choice is a storytelling decision, not a technical flex.

What kind of videos are you creating right now—talking heads, vlogs, or more cinematic pieces?